André Tyson gave every leap and step more than it’s usual power in his outstanding performance.
Anna Kisselgoff
THE NEW YORK TIMES

“Interiors” received a strong performance from André Tyson as a parent whose pain is communicated in shockingly different ways.
Jennifer Dunning
THE NEW YORK TIMES

Ailey’s 1961 “Hermit Songs” was a dramatic little gem performed with confidence by Tyson who with his sharply chiseled features looks rather dramatic himself…Tyson managed to exude a sense of barely contained strength, carefully rationed.
Julinda Lewis
DANCE MAGAZINE

André Tyson brought amazing displays of physical strength to Ulysses Dove’s “Bad Blood”…Tyson’s darting arrowlike arm gestures and unsupported back-bending movements showed the physically taxing quality of the choreography.
Carl Cunningham
HOUSTON POST

we must live…not just exist.